donderdag 26 mei 2011

jorn kaspuhl

DUTCHUNCLE

Founded 2005, Dutch Uncle is an award winning creative management agency with offices in London, Copenhagen, New York and Tokyo.
As an agency we represent and source creative talent for companies looking to commission illustration, design and moving image.
Our client base is worldwide and the artists, illustrators and designers we represent come from either ends of the world with those situated in sunny San Francisco to those on the other side of the globe residing in the fast paced visual capital of the world, Tokyo.

zondag 1 mei 2011

wonder toonel


the tour show


typeworkshop



Leo Burnett

Leo Burnett Worldwide is an American advertising company, created in 1935 by Leo Burnett.
The company was opened in Chicago in 1935. In 1950 the company started its two first major advertising projects, for Kellogg’s and P&G.
In 1997 Leo Burnett Worldwide changed its logo to written words "Leo Burnett", but in 2002 the “new corporate identity” returned to the hand and the stars.
Today, Leo Burnett Worldwide is a part of the French group Publicis. Its clients include McDonald’s, Coca-Cola, Walt Disney, Marlboro, Maytag, Kellogg’s, Tampax, Nintendo, Philips, Samsung, Visa, Wrigley’s, Hallmark, Allstate Insurance, Procter & Gamble and others. It has 97 offices in 84 countries.(wikipedia)

Ray Caesar


Deze site is zeker de moeite om te ontdekken.

helnwein


zaterdag 30 april 2011

Documentarystorm

DocumentaryStorm is a website dedicated to free full-length documentaries gathered from all over the net. The main objective is to spread knowledge, index the thousands of educational videos on the internet and an all around freedom to investigate human ingenuity.
DocumentaryStorm will always have new documentaries on Wednesdays and Sundays.

Shawn HibmaCronan

Made of honest materials and familiar icons these objects aim to spark the conversation of form + function. Using tactile, mechanical structures, and vehicles which engage audience participation, to focus the attention of the viewer not only to the spectacle of the resulting forms, but equally to the materials and craftsmanship which constitute them. Simply put, within these works no material is disguised and no mechanism is hidden. My work is meant to be picked up, poked at, sat in, and rolled around. I want people to question their use intellectually and practically - to this end, physical interaction with the work is absolutely necessary. I consider my furniture to be sculptural, and my sculpture to be curiously functional; it is in the tension between these two aspects that I find my aesthetic and conceptual focus.